a
aa
ab
ac
ad
ae
af
ag
ah
ai
aj
ak
al
am
an
ao
ap
aq
ar
as
at
au
av
aw
ax
ay
az
Перевод: allegretto
[наречие] аллегретто; [существительное] аллегретто [существительное]
Тезаурус:
- Gibson is particularly enticing in the Larghetto concertante of the Symphony in C, which has a persuasively light touch, and finds just the right degree and genial gruffness for the Allegretto .
- For all its surface vehemence, the second movement observes the explosion from a safe distance, the following allegretto is sluggish and mechanical, with little in the way of slyly pointed playing to sustain it - even the climax fails to break free from its rigid framework, and the Finale, despite a powerful, thrusting allegro , is dogged by a lethargic introduction.
- IN the second movement, it is Pople who is the slower, and his tempo might be similarly questioned as being too slow for an Allegretto , though both are very persuasive, with the opening horn solo ravishingly played in each.
- There are moments when the performance appears to lack urgency - the opening of the finale is rather sedate, and the middle section of the Allegretto does not quite capture the "will o" the wisp" character intended by the composer.
- I much liked the unforced eloquence of both their slow movements, especially the Schubert-foreseeing Allegretto of the former.
- It is important to emphasize, however, that Czerny and Hummel give us no clearly determinable pattern of tempo differentiations as they relate to such tempo words as Allegro, Allegretto and Moderato.
- For example, in the Allegretto of the Seventh Symphony, he begins with twenty-four repetitions of this cell (Example 1(a), below) before giving any real change.
- Gunzenhauser makes the very best of the repetitive rhythmic ideas of the outer movements and although he is perhaps a share more rhythmically plainspun than Kertsz, in the first movement he eases the second subject in very nicely and the lolloping theme of the third movement Allegretto has much folksy charm.
- The same is true of exx.1b and 1c from the "Jupiter" Symphony, since a note has to be reasonably short for the stroke to be perceived as staccato sign, shorter certainly than a dotted minim in allegretto or tied semibreves in any tempo.
- Only in the symphony's third movement Allegretto does Barbirolli overdo things by affectionately overlaying some schmaltzy portamentos on to the gorgeous string theme of the Trio.
- The one surprising tempo on this disc is that of the minuet, marked Allegretto by Haydn but here taken very smartly, faster, in fact, than the Allegro minuet of No. 102: if the music sounds less massively symphonic than it can ( sf accents are again a touch comfortable) it has an engaging spring, especially the trio, which becomes a one-in-a-bar waltz rather than a Lndler.
- In the Variations and smaller pieces I questioned their fast tempo for little Maximiliane Brentano's Allegretto (WoO39), and even for the minuet-like Scherzo of the early E flat Trio experiment (WoO38), while for the most part enjoying their wholly natural, unselfconscious approach to these works too.
- In the Allegretto the music begins in the sombre low register and gradually rises through the octaves.
|
|
LMBomber - программа для запоминания иностранных слов
|
|