a aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az

Перевод: alliterative

[прилагательное]
аллитерирующий

Тезаурус:

1. His villain is the iambic pentameter, often seen as basic to English poetry, but according to Easthope an alien and bourgeois importation, brought in by Chaucer, to the detriment of the truly native measure of the four-beat-line with a varying number of syllables, found in the old alliterative verse.
2. In six chapters and 191 pages (including useful notes and bibliography), Cable outlines a new theory of Old English (OE) alliterative verse; explores the revival of alliterative writing in Middle English (ME); empirically demonstrates the distribution of final -e and its consequences for metricality in ME texts both alliterative and rhymed; explores the superficially similar decasyllabic metres of Chaucer and Shakespeare, concluding that they are respectively different underlying metres; and ends with a chapter on theoretical implications which links prosodic theory with critical theory.
3. Neutral, euphemistic, alliterative, you distanced yourself from the idea of neighbours killing each other.
4. Language flaunts itself, embroidering ritual in alliterative use of s and p through stanzas five and six.
5. The English Alliterative Tradition by Tom Cable, 1991, University of Pennsylvania Press, Philadelphia, pp. 191, ISBN 0 812 23063 9
6. She whispered with alliterative relish:
7. "Alliterative assonances" such as "fail" and "fall" are very common in Old English poetry, and indeed in Middle English in the tradition which includes Pearl.
8. By the beginning of the 19th century science seemed already to be ineluctably yoked with technology, and technology with industry; and though industry could be equated with men of culture and vision (such as Josiah Wedgwood and sons) it is remembered in practice, by those who later "read" the "humanities", through the contemporary and in alliterative terms more resonant response of William Blake.
9. In the short text the account of the Crucifixion and the meditator's awareness of his own sin come to a climax in an outpouring of lyrical prose which has been printed as verse though it seems more effective if the surge of the rhymes and the alliterative cadences rise within the very structure of the prose like great waves to break in the bitter realisation that it is the meditator's sin which both nails Christ to the cross and blocks the free expression of love in himself: All the internal rhyme, play on words ( ) and alliteration, which intensify the sense of the meditator's awareness of both the creative power of God king of and the impotence of all his own functions, are lost in the long version which omits much of the intense self-disgust present in the short: The emphasis on Christ as the source of life and creativity is similarly highlighted in the short version in the skilful use made of rhyme, cadence and monosyllabic, strong-stressed ends of sentences to graphically convey the moment when he dies and the created cosmos fails: These effects are lost in the prosaic longer version: In both versions the meditator contemplates the appalling inversion of the created order with its lord suffering greater deprivation than the foxes and birds as he hangs in eyre (88. cf.101) with nowhere to lay his head - a reference to Matthew 8:20 traditionally used to emphasise the poverty of God embraced at the Incarnation.
10. Amused by her own alliterative descriptions, she smiled, only to pull her mouth into stern control as she saw the resulting flash of triumph which illuminated Rune's features.
11. in this alliterative world.
12. These are too common to be the result of incapacity, and they are furthermore reinforced by the unpredictable but frequent use of the other devices of sound: alliteration in "light laid", "shining shield", "ward all wounds", etc., alliterative assonance in " sails of silver", "Night of Naught", "sight he sought " and " boat it bore with biting breath".
13. Bilbo uses some five of these: one is rhyme, which everyone recognises, but the others are less familiar - internal half-rhyme, alliteration (i.e. beginning words with the same sound or letter), alliterative assonance (the Macbeth device), and a frequent if irregular variation of syntax.