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Перевод: amphora

[существительное]
амфора

Тезаурус:

1. This was essentially a male occupation, and vessels of this form stood on the graves of men, while the monumentalised store-jar (amphora, fig. 1) adorned those of women.
2. An Attic red-figure amphora attributed to the Berlin Painter (dated around 490-;480 BC, lot 11, est. 40,000-;60,000) shows Nike flying and playing a kithara with, on the other side, a standing draped youth holding a staff.
3. Most early red-figure appears on only a few shapes: cups, and pots like the one-piece amphora (figs. 86-;7), in which much of the pot was traditionally black and the extension of that to the background of the picture was an easy step and one which integrates the picture more fully with the pot.
4. The Northampton amphora, the best vase in the sale, made a record price of 190,000.
5. It is a black-figure amphora showing a tree with ten branches and an owl tethered near by.
6. They can be a bit thick at the best of times,; you know that amphora you sent me? well my lot only went and peed in it - I have to go now, Tony's coming for his Osso Buco.
7. The same interests appear even in slighter work: for instance the backs of the boys jumping to the pipe on an enchanting pelike (fig. 90; one of the new shapes, a version of the one-piece amphora).
8. Comparing the Gorgons on the body of the amphora fig. 46 with those in fig. 9, or the betterpreserved pictures on the necks of the two vases, one sees why vase-painters felt black-figure a better decorative system for their curved surfaces.
9. There is not much evidence for active hellenization outside old Greek centres like Halikarnassus, Smyrna and Ephesus; though some progress is made at inland Anatolian sites like Etrim (the Syangela of the Athenian Tribute Lists, later hellenized as "Theangela"): objects like a Panathenaic amphora made in Athens c.420, and red-figure pottery, attest the same penetration of Greek influence.
10. The Argive krater is far smaller than the Attic amphora; and it looks as though Athenian artists preferred to monumentalise vase-painting rather than venture into the new world of free painting.
11. OVERLEAF Cusick's designs for the Doctor's lyre and the Roman amphora, as seen in "The Romans".
12. The earliest depiction of it is on a sixth century B. C. black-figure amphora (above) from Greece.
13. Even today excavation reports treat artefacts as separate entities neatly divided up according to material from which they were made, i.e. gold, silver, lead, bronze, tin, iron, ivory, bone, jet, shale, stone, then followed by coins, samian decorated, samian plain, samian stamps, amphora stamps, mortaria stamps and coarse wares.