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Перевод: audio

[прилагательное]
звуковой

Тезаурус:

1. Hard-faced, eclectic and distinctly dance-friendly, DF 118 are Pop Will Eat Itself on bad drugs, Big Audio Dynamite with a ring of low-rent authenticity and much more besides.
2. AUDIO VISUAL HUT.
3. "Then, suddenly, the engine-out audio warning started.
4. It now comprises on the ground floor, a shop, the Brewhouse Tea and Coffee Room and an Audio Visual Room.
5. An alternative is to use one channel of an audio mixer as a volume controller, an added advantage being that, depending on the type, it may be used as a means of matching line and microphone-level signal inputs.
6. Video 8, with its inability to dub audio separately, inserts both new pictures and sound, the latter being whatever was being picked up by the camcorder's microphone while the title was being recorded - unless you have arranged for some other sound to be fed onto the tape!
7. Another company, Gold Peak Industries (Holdings), which makes car audio equipment, is also trying to hedge future risks by setting up new factories elsewhere.
8. MANAGERS at BASF, the West German chemical company that specialises in making recording tape, believe the audio industry-could double its sales of musicassettes by using chromium dioxide tape and recording in a different way.
9. Raymond Williams Memorial Lecture Eureka Audio Visual Opening Shots Forum Awards Dinner
10. We also provide details of a simple AM tuner which can be added to an audio system which only has an FM reception capability.
11. You may want to change the format, say from Video 8 to VHS, so that it can be played back on your table-top VCR, or to convert the sound track from hi-fi to a linear edge track which can then be edited by audio dub.
12. Many of today's audio systems are fitted with tuners which only receive f.m.
13. Here were audio spaces that, in certain instances, bled around comers out of sight of their sources; sculptural/architectural spaces around and through which the viewer must travel; virtual spaces of onscreen worlds; visual spaces of Greenbergian flatness, for example in Susan Hiller's well-known Belshazzar's Feast (1983-;4), where images of flame move towards the purity of pixels (though she also devotes attention to the generation of images and gestalts from the eye itself); geographical spaces, notably in the move of Judith Goddard's environmental sculpture, Electron (1987), from Dartmoor indoors.