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Перевод: courtesan speek courtesan


[существительное]
куртизанка ; кокотка


Тезаурус:

  1. The six-fold screen, "Courtesans of the Tamaya House", attributed to Utagawa Toyoharu (1735-;1814), is one of only very few floating world screens and most probably was used in the courtesan's own apartment.
  2. Whether or not the Merry Monarch's real last words were, "Let not poor Nelly starve!" the court saw that that courtesan, once raised from her humble origin, never sank back.
  3. A courtesan was a woman of gifts who attached herself to a great man, and expected to be displayed as a badge of his wealth.
  4. Louis de la Censerie's Antwerp Central (1899) was a courtesan made good, like one of those Edwardian showgirls who married into the aristocracy.
  5. The heroic plot has Chubei, an ardent, sensitive youth, falling in love with Umegawa, a courtesan chance brings his way.
  6. That event had the imprimatur of no less a figure than Louis Aragon, one of the founders of the movement, who wrote an uncompromisingly surrealist preface for it in which he spoke of the rock candy sticks which "emerge from the earth at every seismic shock" and toasted Flix Faure, the President of the French Republic who died, in 1899, in the arms of a courtesan.
  7. Paper Courtesan : The face on this elaborately-folded paper mask appears Nipponese in character.
  8. Here, Drachenfels incarcerated a courtesan who displeased him, and inflicted a dreadful curse on her.
  9. A painter (Michel Piccoli) decides to re-create an abandoned portrait of a famous courtesan and employs a new model (Emmanuelle Bart) who soon reveals a strong will of her own.
  10. The sale also features Paris Bordone's portrait of a courtesan (est. 200-;300,000; 115-;175,000) and a "Madonna and Child enthroned" by Michele Giambono.
  11. This kind of asymmetry can even be seen in pairs of originally parallel male and female terms, like bachelor and spinster or courtier and courtesan .
  12. While none of these pictures is of the first rank, some are of interest: Paris Bordone's "A Courtesan"; Pietro Marescalchi's "Madonna and Child enthroned, with Saints James the Greater and Prosdocimus" of 1564 and Michele Giambono's "Madonna and Child enthroned".
  13. He captured her in a variety of poses and moods which reflect her many facets: as a grande dame in a hat and fur collar; as a great courtesan - "Madam Pompadour" he called the painting, perhaps deliberately mis-spelling it; in a wicker chair; demure in front of the piano; and he sketched her all the time, with quick, deft strokes.

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