e ea eb ec ed ee ef eg eh ei ej ek el em en eo ep eq er es et eu ev ew ex ey

Перевод: ellipsis

[существительное]
эллипсис

Тезаурус:

1. The theory suggests that one type of anaphor, ellipsis, is interpreted with reference to a superficial representation of a text, while the other, model-interpretive anaphora, is interpreted using a content-based representation.
2. disturbances of conventional word order, literal and metaphorical senses interwoven, periphrasis, ellipsis, leading notions alluded to rather than declared, abstractions personified, persons becoming abstractions, widely different words becoming synonyms, synonyms being given widely different meanings
3. In this corpus we find that it is very rare for an ellipsis to occur without a linguistic antecedent, and in those cases where one does, it is usually for special effect.
4. With electricians the linguistically correct interpretation of the ellipsis - the one that satisfies Hankamer Sag's parallelism criterion - is a plausible one.
5. Typically, we find ellipsis occurring in exchanges like this: Are you going to the theatre tonight?
6. The ellipsis represent 90 per cent coincidence limits for the samples from named quarries.
7. It is, then, not so much a case of ellipsis occurring in informal speech as of writing requiring a degree of elaboration that is not necessary in informal speech.
8. Indeed, in many cases it appears that the ellipsis is interpreted with reference to a content-based representation.
9. However, the continuation so we did it , which substitutes a deep anaphor, do it , for a verb phrase ellipsis, is usually judged to be good.
10. What sort of use is made of cross-reference by pronouns (she, it, they, etc)? by substitute forms (do, so, etc), or ellipsis?
11. In spite of being a member of this lite fighting unit, learning to kill people in extremely unpleasant ways, Leslie retained the gentility of Victorian ellipsis in the matter of writing profanities!
12. For the moment we shall suppose that you probably recognise the type of writer in (a) as some impersonal / institutionalised writer addressing a general reader rather than a particular individual (paying attention to Place and Remove and the ellipsis in the second sentence (the) finger nearest (to the) stop).
13. Descriptions of conversational exchanges usually draw attention to what linguists term ellipsis.