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Перевод: impressionism speek impressionism


[существительное]
импрессионизм


Тезаурус:

  1. Another consequence of the labelling of Impressionism and other groups by critics was that some artists naturally decided that they themselves could do the same job better than the critics.
  2. Here he describes the impact of Impressionism on Van Gogh's work in the spring of 1887:
  3. There are nine paintings in the sale by Gustave de Smet (1877-1943), whose style switched from Impressionism to Expressionism around 1914.
  4. Painters have responded enthusiastically, from the meticulous realism of Frith's panoramic Paddington to the delicate impressionism of Monet's Gare Saint-Lazare, from the distorted heat-haze imagery of Dali's Perpignan Station to the lonely, austere beauty of Vlaminck's station in the snow.
  5. However, he begins, after a fashion that is less rare with him than is commonly supposed, by apologizing for the impressionism that supplies him with the terms he needs:
  6. In the first half of a concert which spanned the gamut from Expressionism to Impressionism, the hall's resonance favoured the spare lines of Webern's Op 6 while proving cruelly analytical in Ravel's Sheherazade.
  7. I feel that Albert Maillard, if he existed, would have no time for Kapuscinski's impressionism, for his absence of dates, figures and state papers, and that Albert Maillard would be wrong.
  8. Impressionism is the most familiar group with an artistic programme in the nineteenth century.
  9. What was perhaps most crucial to the success of Impressionism in financial terms was its modern stance, as closely identified with contemporary life at the turn of the century as Romanticism had been fifty years before.
  10. In Western art there had been artistic programmes and manifestos before Impressionism, but in the twentieth century they proliferated.
  11. They would be signs of an unprofessional subjectivism and impressionism; in recent radical discourse they indicate an undesirable mystification.
  12. Or a brand name may already exist ready for exploitation by a market-maker; Impressionism, for example, was ready to hand for British dealers to invent a new category of art which they could stretch to calling British Impressionism.

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