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Тезаурус:

  1. After that great 1000-page bout with Gary Gilmore in 1979, Mailer has been displaying the typewriter equivalent of punchdrunkness.
  2. "I was his good girl, the girl to take to book signings, to introduce to Norman Mailer," she says.
  3. Whatever Mailer says, more great heavyweights have their roots in crime and punishment than in Crime and Punishment.
  4. There you could meet the likes of Orson Welles, Norman Mailer, Lillian Hellman, Virgil Thomson, Martha Graham, Ethel Merman, and Anita Loos - as well as almost every star in American showbusiness.
  5. More than any other novelist, Mailer has narrowed the lines between writing and fighting.
  6. To repeat, the association between homosexuality and the sexual lite of a woman is not necessarily insulting to either; it is only that Mailer's denigrating version of it forewarns of the crassness of the version of sexual difference which constitutes both the origin and horizon of his vision, and once again indicates an intense apprehensiveness in the face of imagined male passivity, and the way it is oft en conceived in terms of a denigrated and denigrating femininity at once utterly alien to yet strangely inherent within the male.
  7. Equally, Mailer's reflections on the similarities between the condition of the writer and of the boxer ('There is a support system but you are alone ") led you to a parallel which the programme tactfully left unstated.
  8. It is appropriate, then, that Ali has been the subject of a great number of pieces in Esquire, most of them written by undisputed literary heavyweights, including Irwin Shaw and Norman Mailer among others.
  9. When Mailer claims that "When the heavyweights become champions, they develop inner lives like Dostoevsky, Joyce, Faulkner, Proust.
  10. Here is a valorization of the different/same binary similar to that already encountered in Gallop, Scruton, Mailer, and others.
  11. For Mailer, Lawrence's greatness lies in part in his heroic struggle against his destiny, which was to be homosexual: "he had become a man by an act of will, he was bone and blood of the classic family stuff out of which homosexuals are made, he had lifted himself out of his natural destiny which was probably to have the sexual life of a woman" (p. 154).
  12. Whereas prior to 1954 the male homosexual was for Mailer a rather facile symbol of evil (above, Chapter 3), now he epitomizes a more insidious and actual kind of evil: the undoing of otherness, and a drive towards undifferentiation echoing biblical "confusion".
  13. Mailer on Lawrence and Sexual Difference, or The "Full Rigours of the Fuck"

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