m ma mb mc md me mf mg mh mi mk ml mm mn mo mp mr ms mt mu mv mw mx my mz

Перевод: monism

[существительное]
монизм

Тезаурус:

1. l.4 COMPARING DUALISM AND MONISM
2. I 3.3 The inseparability of style and content: monism
3. To put it most simply, dualism is happier with prose, and monism with poetry.
4. Monism, with its rejection of the form-meaning dichotomy, was a tenet of the New Critics, who rejected the idea that a poem conveys a message, preferring to see it as an autonomous verbal artefact.
5. In Fig 1.2 (A) and (B) show the contrast between dualism and monism from an author's point of view.
6. But this conclusion should lead us to an accommodation between dualism and monism rather than the rejection of one in favour of the other.
7. It allows a degree of reductionism without deserting a monism of mind for dualism .
8. But monism has had many other manifestations: in the philosophy of Croce, in the one-form-one-meaning postulate of pretransformational linguistics, and not least, in some authors' own sense of the artistic integrity and inviolability of their work; in Tolstoy's words: This indeed is one of the significant facts about a true work of art - that its content in its entirety can be expressed only by itself.
9. Although he is unwilling to specify in advance any privileged source of power, there nevertheless underlies his work what has been described as a "philosophical monism", a conception of a "will to power" forever expanding and bursting forth in the form of a will to know.
10. So understood, dualism can be contrasted with monism in simple diagrammatic terms as presented in Fig 1.2. fig1.2
11. The more esoteric or higher understanding of the reality of one universal, wholistic creative principle (monism) is embraced only by those who are able to transcend the confines of theistic involvement as it is in any country or civilization."
12. Hence stylistic monism finds its strongest ground in poetry, where through such devices as metaphor, irony, and ambiguity, meaning becomes multivalued, and sense loses its primacy.
13. A poem should not mean but be was Archibald MacLeish' extreme statement of this position, and the strength of monism in the 1940s and 1950s can be gauged from Wimsatt's pronouncement: It is hardly necessary to adduce proof that the doctrine of identity of style and meaning is today firmly established.