n na nb nc nd ne nf ng nh ni nj nk nl nm nn no np nr ns nt nu nv nw nx ny

Перевод: narration

[существительное]
рассказ ; повествование; изложение; пересказ ; дикторский текст [кино] ; перечисление
[существительное]

Тезаурус:

1. "Aesthetic judgements are impossible", the narration concluded, a denial which implied that paintings are only as good or bad as the political opinions of those that paint them.
2. (Or first person narration for that matter.)
3. But while some moments, particularly settings (the school, the petty-bourgeois home, the professional home) and situations, seem highly formalized, even stereotypical, the deliberately paced dialogue and unhurried tone of the narration allow the novel to achieve a rare psychological density.
4. Dostoevsky's own attempt to suggest how he disposes his reader in relation to these events goes as follows: "Narration by the author, a sort of invisible but omniscient being who nevertheless doesn't leave him meaning "his hero' for a moment
5. The question, who tells us?, recalls the most important of Dostoevsky's many changes in the course of writing Crime and Punishment , his switch from first-person narration - the murderer's story - to what is formally third-person but proves so supple, so volatile, that the distinction between the inside and outside of Raskolnikov's head disappears when his creator wants it to.
6. These points are well illustrated in John Warton's narration of his talk with a woman in the last stages of consumption, to whom he gives the name "Mary Barton".
7. Dexter compounds the effect by writing in the present tense, depriving the narration of even the possibility of temporal causality (and making it read like a 290-page stage direction).
8. The chaotic narration is therefore in harmony with such a fractured representation: conventional syntax and punctuation would only conceal the discontinuity of experience.
9. The central gap in the text is the narrative perspective; however, by accepting the proposition that this is indeed a first-person narration, with the first person conspicuously omitted, then the novel becomes understood in psychological terms as a radical example of stream of consciousness writing.
10. At first he hadn't even settled on first-person narration; the voice from inside the frame is sometimes "the chronicler's" or "the author's", sometimes "mine".
11. I mean that the novel has always given the impression that third person narration can narrate what it is I am feeling.
12. The theme of disintegration in the novel (Louise's Tante Marie is lying comatose in an upstairs room on the verge of death) is suggested formally by the disjointed narration and chronology.
13. Most young readers, and I was one of them, were bored by the seeming ponderousness of so much of the narration and probably gave up too soon to grasp the understanding of the American Indian mind it offers and the rapport that can be achieved with an understanding white man, here the legendary "Hawkeye".