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Перевод: portmanteau
[существительное] чемодан ; дорожная сумка; баул ; языковая контаминация
Тезаурус:
- The balancing slower growth was supplied by the portmanteau of miscellaneous services.
- Instead he took a sheaf of glossy photographs from his portmanteau and pushed them across the table towards the Corsican.
- The second discursive strategy used in the novel is the portmanteau technique exemplified by the title.
- Sam, who's a year above the others, has started on his GCSE in Performing Arts, a portmanteau course which covers video, dance and drama as well as music.
- "Boring" is a convenient portmanteau word for adolescents to use in describing anything they find alien or frightening.
- So great were the variations that no student of medieval agriculture would nowadays dare to assemble all the medieval agrarian institutions into a portmanteau model capable of accommodating the whole of England during the whole of the Middle Ages.
- Exultant, she want to the bed and withdrew the portmanteau from beneath.
- In Amalgamemnon the pun and the lexical amalgam or portmanteau word work in the same way as discursive slips work in Out and mis-translation works in Between to create metaphors by revealing structural parallels between disparate discourses.
- Contemporary advertisements describe a range of related products such as "Portmanteau, Engined and Milled boards".
- She stood a while, intently regarding him, her hand steadying the portmanteau on the bed, and only the merest glimmer of guilt colouring her face.
- "Teach me to live, that I may dread/The grave as little as my bed", he had written; in this spirit he carried his shroud in a portmanteau and put it on a few days before his death at Longleat in 1711, which his friends considered to have been advanced by his fasting and mortifications.
- The man picked up a small portmanteau that had been hidden in shadow by the rail, and with one last sweeping look across the quay, climbed on to the gangplank.
- With its demented self-referentiality, its abrupt and dreamlike transpositions of settings and the head-spinning ease with which each sketch would dovetail into its successor, Monty Python soon became a cult show, albeit achieving viewing figures to rival those of the cosiest and most conventional sitcom; and its peculiar brand of humour, which contrived to be both anarchically delirious and quintessentially British, transferred without strain to the cinema, as witness And Now for Something Completely Different (a portmanteau film of the best-known TV sketches), Monty Python and the Holy Grail, Jabberwocky, The Life of Brian, The Meaning of Life and, released only last week, Erik the Viking.
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