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Перевод: privacy

[существительное]
уединение; уединенность ; тайна ; секретность ; частная жизнь

Тезаурус:

1. Should they report their suspicions, or does that constitute an invasion of privacy?
2. In practical terms, there are the notions of privacy and property.
3. Couldn't anyone have any privacy around this dump?
4. There were no regulations to prevent people from walking up the Balmoral side of the mountain when the Queen was not staying at the castle, and Richard had chosen a long ascent from the Balmoral side for the sake of privacy.
5. Wexford didn't take the vacant seat and something in his expression must have told Cullam he wanted privacy, for he said to his wife, "Can't you get them kids out of here?"
6. The code emphasises privacy.
7. Also, he explained that, to his knowledge, Joseph Shill had committed no crime, and his tenants were entitled to their Privacy.
8. The social researcher must make compromises between roles as scientist and citizen; between commitment and impartiality; between openness and secrecy, honesty and deception; and between the public right to know and the citizen's right to privacy and protection the onus for making decisions in practice rests with the individual researcher.
9. It is a hidden life, a life of privacy; but equally it is a life of total intimacy, a life lived in love.
10. Mr John Wall, chairman of RNIB commented: "RNIB urges other companies to follow the example of BT and to give visually impaired people the right to privacy".
11. Grounds for the bishops' opposition were that only parents and not the state should have the right to provide for the health of their children, that the state had no role to play in the physical education of children and mothers, and that individual privacy would be threatened by public use of their private health records (Whyte 1980: 213-;14).
12. Of course, she was often questioned, but had no intention of intruding on privacy - a commodity which she herself prized so highly, and which she knew was difficult to attain.
13. Finally, with Nick Cave's misogynist agonies, the Jesus and Mary Chain's candyskin classicism, and The Smiths' eternally unrequited gaze, came the return of romanticism in all its purity and privacy.