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Перевод: scherzo

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скерцо
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Тезаурус:

1. We're back off north again to Canada on, with pianist Arthur Ozolins, accompanied by the Toronto SO under Mario Bernardi, offering Rachmaninov's First Concerto , Dohnyi's substantial yet witty Variations on a Nursery Song , and the famous Scherzo from Litolff's Concerto Symphonique No. 4 ( ).
2. The disc opens with the flavour of Carmen (Souvenirs d'Andalousie ), continues with lively bravura/programmatic fun ( Le banjo ), then charm ( Grand Scherzo ), humour ( Pasquinade Caprice ), breathtaking beauty ( Berceuse ), and memorable rhythmic tautness ( Tournament Galop ).
3. There is, for example, a marvellous account of the scherzo, with its crazy fiddler and sense of Grand Guignol not too far away.
4. A wealth of subtle detail emerges from the Scherzo which usually remains obscured behind a curtain of all-purpose muscularity, and even the diffuse musical elements of the Finale coagulate effortlessly in this reading (energetic stamps from the rostrum and all).
5. The knockabout humour of (i), with its intentionally ludicrous juxtaposition of standard cadential formulae, is an absolute riot (the more so for not trying too hard), as is the central presto Scherzo which illicits a truly remarkable response from the Oslo players (gloriously fruity trumpet solo).
6. Certainly, the Scherzo sounds measured in comparison with, say, Toscanini, but the rhythmic precision and clarity of instrumental texture are well-night miraculous.
7. The opening of the Scherzo sounds remarkably like the twittering of birds in the trees, something I first noticed when it was played to me on an 1820s Graaf piano similar to the one owned by Schubert.
8. Piano Sonata no. 1 in C major; LISZT: Consolation No. 6; Hungarian Rhapsody No. 17; Scherzo March; Harmonies du Soir
9. There is not space to enumerate all his works which arose from such associations, but The Battle of Tewkesbury for voices and instrumental ensemble for the 1971 Tewkesbury Festival and Henry Purcell for counter-tenor, clarino obbligato and strings for Alfred Deller and Stour Music (1971), the Jubilate for Charlton Kings Choral Society (1979), the Scherzo for piano and orchestra for Douglas Smith and the Cheltenham Sunday Players, the moving Concerto for trumpet and strings in memory of Bernard Brown (1976), and the Cantate Domino in memory of John Clough (1978) are all interesting examples that deserve to be heard again.
10. I have never known the Scherzo sound so like a dashing tarantella, and the headlong pace for the finale inspired exuberant playing from the LPO players, with the horns braying magnificently.
11. In the Scherzo, the playing is very concentrated and incredibly exciting.
12. Taken on their own, the Scherzo and Finale receive highly virtuosic performances, though the nostalgic charm of the middle section of the Scherzo seems to elude Ozawa.