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Перевод: scrapbook

[существительное]
альбом ; альбом для наклеивания вырезок

Тезаурус:

1. With the exception of Wollen, the contributors to the Scrapbook and the Boston text convey little concern for the forms of political organisation espoused by the Situationists, and it is perhaps symptomatic of their interest in the SI as a purely aesthetic phenomenon.
2. The materials displayed in the exhibition and reproduced in the Fallout section of the Scrapbook no doubt express ideas about which strong convictions are held.
3. The short commentaries and comic imagery in the British section of the Scrapbook are largely printed ephemera with unserious political pretensions.
4. Christ knows "Some vague recollection of tranquillity from his grandfather's scrapbook."
5. The greater part of the Scrapbook largely consists of what the editor identifies as "the British inheritance" which covers the period from 1966 - 1988.
6. There are, I think, just three statements which count as unequivocally critical comments on SI in the Scrapbook.
7. Clearly much of the material is unsupportable and there is a sense in which this is self-evident in that the Scrapbook is styled as an "anti-document" which, like the films of Debord, is co-extensive with the equally unsupportable and qualitatively diminished world to which it relates.
8. The Scrapbook is also variously supported by Association Franaise d'Action Artistique, the Ministry of Culture, Copenhagen, the Instituo Banco San Paulo of Turin, Becks Bier, to name some of the backers, and also by the furtively named Friends of the Situationist International, whoever they are!
9. To read about her here is like being shown someone's snaps or scrapbook - perhaps an underrated pleasure.
10. A Situationist Scrapbook, edited by Iwona Blazwick in consultation with Mark Francis, Peter Wollen and Malcolm Imrie, Verso/ ICA Publications, London, 1989. 96 pp.
11. The Situationist Scrapbook includes only two synoptical essays, the rest being made up of a selection of documents produced in various parts of Europe and Britain from the fifties to the eighties, some of which predate the founding of the Situationist International (henceforth the "SI').
12. It therefore seems that "in a purely negative way" the silence over the question of meaning in the Boston text and in the Scrapbook is perhaps not surprising - - it is an historically appropriate response to the disappearance of the SI.
13. If the historical trajectory of the Scrapbook is followed (SI through Fluxus, Heatwave, King Mob, Jamie Reid, Vivienne Westwood, and the Sex Pistols) the Situationist role for the intellectual as an informed but passionate critic gives way to philistine incitements to violence (typified by King Mob in Britain, the Motherfuckers in the USA, and also indirectly the punk phenomenon) but more commonly a laidback and philosophically weak critique of everyday life.