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Перевод: Shakespearean

[прилагательное]
шекспировский

Тезаурус:

1. Elizabeth Montagu became a leading Shakespearean critic.
2. "They say Dinah Asshe, the daughter, is the most remarkable Shakespearean actress of her generation.
3. This Merchant is likely to prove a big target for American people who routinely deplore British Shakespearean acting and staging.
4. "I know there are any number of other musical versions and I'm not a Shakespearean actor, yet I feel comfortable with him.
5. 62 BC) was the famous Roman comic actor, and Master Betty, the child-actor (b. 1791), was dubbed the Young Roscius for his precocious talent exhibited in major Shakespearean roles in London in 1804 and 1805.
6. Brook sees the great Hindu myth as full of Shakespearean themes, though it's short on Mr W S's gutsy comedy.
7. The same could be said of the Shakespearean or Homeric frame.
8. The staff in those days included the formidable and devout figure of Susie Tucker, a great Norse scholar, and soon colourful characters like Bertram Joseph, a practitioner of and authority on Shakespearean gesture.
9. It was thus a relief to overhear The Angelic Conversation (ReVision, PG, rental), whose background noise is provided by Dame Judi Dench drooling sonorously over Shakespearean sonnets.
10. (I miss out the word puking from this Shakespearean phrase since I know of few instances in which a baby has strained the cassock of the clergyman baptising it, though doubtless readers may know of one.)
11. Young man, do you realise that Dinah Asshe is, or will be, the greatest Shakespearean actress since Ellen Terry, perhaps surpassing her?
12. Leading Shakespearean actor Ralph Fiennes, nephew of the explorer Sir Ranulph Fiennes, favours the romantic Lean image of Lawrence as tall, diffident and spiritual, with sensitive eyes and a charismatic personality, but the mad neurotic quality has gone, leaving only a nervous giggle and an impish sense of humour.
13. Amongst the most important of these carefully plotted works are: de Falla's The Three-Cornered Hat (1919) which originally accompanied a mime play and so fascinated Diaghilev that he commissioned the composer to enlarge it for Massine's ballet (see page 59); Vaughan William's Job, commissioned by Diaghilev, was unused until de Valois created her important "Masque for Dancing" (1931) (this marked the inaugural performance of what has become The Royal Ballet); Arthur Bliss' Checkmate (1937) was choreographed by de Valois after both composer and choreographer had worked on the plot; Prokofiev's Romeo and Juliet was composed with the help of a Shakespearean theatre expert and has been used notably by Lavrovsky, Ashton and MacMillan (see page 26); and Ashton provided a roughly outlined plot for Hans Werner Henze's score for Ondine (1958).