s sa sb sc sd se sf sg sh si sj sk sl sm sn so sp sq sr ss st su sv sw sy

Перевод: slavish speek slavish


[прилагательное]
рабский; рабски покорный; несамостоятельный


Тезаурус:

  1. The Royal Academy of Arts, for example, maintained a slavish loyalty to portraiture, landscapes and the inspiration of literature, while just across the English Channel the art world was alive with one "ism" after another - Impressionism, Fauvism, Cubism, Surrealism.
  2. Slavish conformity is not what we want of a child.
  3. Away with slavish weeds and servile thoughts!
  4. He talks of slavish American support for an intransigent Israel, and says this is why there is no peace.
  5. Contemporary computer graphics and virtual environments (such as the NASA mask-and-glove system) disappoint with their slavish maintenance of monocular perspective.
  6. Propping up the world's most enduring dictator is a slavish personality cult, and rigid control of the nation.
  7. This did not mean a slavish copying of mediaeval motifs, but rather that the style would provide a basis from which a future architecture would develop, using modern materials and techniques.
  8. For every past powerchord and epic gesture he now endeavours to atone, publicly, by the slavish imitation of the most slick and redundant aspects of contemporary black music.
  9. Salim presents himself in a light which requires the reader to be told that, although he himself has been making good, he is grieved, or affects to be, by the discovery that the slavish Metty has been getting on: "You've been very much getting on as though you're your own man."
  10. One of the corpses was that of a local youth, the other that of an English girl, Gail Benson, who had come to the West Indies as the slavish lover of an American Negro, Hakim Jamal, "God" to his friends, who was eventually to be shot dead in Boston.
  11. He thinks that if he is only slavish enough in his service of the old hag, the beautiful girl to whom he once made love will come back to him:
  12. The wave of interest in the rediscovery of Celtic music is particularly important, and not merely because of the Celtic-Scottish influence on Leonard's family (an aspect that the Montreal Gazette highlighted regarding Lyon Cohen's Gaelic accent recently) and American eclecticism - often little more than a slavish following of European forms - which found itself in the development of "pop" music, notably of ragtime around 1900 and jazz around 1918.
  13. A slavish, at the same time expectant and fearful, look is apparent on the face of anybody talking things over with their builder.

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