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Перевод: wagner
вагнер
Тезаурус:
- It is juxtaposed, in a change to the advertised programme, with orchestral excerpts from Wagner's "Ring" cycle, in the second concert of the Chicago Symphony's visit to the Royal Festival Hall, London SE1 (071 928 8800), tonight.
- At this year's fair, Wagner's fans had wisely absented themselves.
- He leans towards Wagner
- "I wonder why you keep going to sea when you know it's dangerous" (quoted by B. J. Wagner, 1976, p. 59), muses Mrs. Heathcote to a class of children who are into a drama about pirates - and she from then on carries at the back of her mind the possibility that through the subsequent experience these children might understand something of what drives people to face dangers.
- Can any conductor, though, be said to have made the same impact on recent musical history as that made by Bach or Beethoven or Wagner in the past?
- Among the comprehensive selection of mini-suites are "Panama: Cowabunga Noriega With Jimi Hendrix And Bobby Fuller" and "Sayonara Strangeways To The Eclectic Sounds Of Richard Wagner and Des O'Connor".
- The volumes are not especially easy to use, however, and more detailed and accessible information is contained in two works published in 1950 and 1967 by the Society of Antiquaries of London: A Catalogue of English Medieval Rolls of Arms by Sir Anthony Wagner, and Rolls of Arms - Henry III edited by T.D.
- While looking forward in its powerfully climactic, funeral-march sections to the episode of Siegfried's death in the Wagner excerpts later, the instrumental virtuosity of its writing also seemed to pick up where the preceding concert left off in the Chicago's bravura, if sometimes coarse-grained account of Strauss's Ein Heldenleben.
- Most people who made the pilgrimage found it well worth their while, not only for the quality of the music-making but also for a quality of staging and design that pointedly bypassed the often musically ruinous fads of post-war directors' opera in order to re-establish contact with an older and still valid tradition that goes back, with a passing glance at the work of Wieland Wagner, through Grndgens and Reinhardt to Roller and Mahler and, in some respects, Wagner himself.
- Prior to the development of Wagner's (1976) theory, the role of contextual factors had received little attention (but see Anderson, O'Farrell, Formica, and Caponigri 1969; Anderson, Wolf, and Sullivan 1969; Dexter and Merill 1969).
- Although these results are compatible with conditioned attention theory (and with Wagner's theory), Kaye et al , (1988 b ) prefer an explanation in terms of generalization decrement.
- Wagner's (1976, 1981) theory of habituation, discussed at length in Chapter 2, is also a theory of latent inhibition.
- It is true that structurally his numbers, with solos and ensembles intermingled, have a freedom and originality that point forward directly to Berlioz and Wagner.
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