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Перевод: arabesque

[прилагательное]
арабский; причудливый; фантастический; прихотливый; мавританский;
[существительное]
арабеска

Тезаурус:

1. The supporting leg can go on spinning on full pointe with that knee bent, as the working one is held in arabesque or attitude and finally sit on the floor.
2. Fokine said that every "phrase of his dance was a gesture", and explained: "Undoubtedly an arabesque has many meanings but only when it appears as an idealised gesture.
3. They travel forwards instead of en place in chapp relevs after breaking the rule that the arms never cross the centre line of the body and are always (except in arabesque ) rounded.
4. for example: the swift change from the grand dvelopp la seconde which Odile makes facing the audience and her sudden turn to arabesque when she looks straight into the kneeling Siegfried's eyes in the Act II pas de deux of Swan Lake ; it is Odile's triumph for she knows she has won Siegfried's heart.
5. If there is not this feeling, if it is only a raising of the leg, the arabesque becomes intolerable nonsense."
6. There is the moment in the Act II pas de deux or Swan Lake where Odette appears to fly away in an arabesque before Siegfried seizes her arms and draws her body close to his in an embrace.
7. These last jets would be completely out of place in Lander's Etudes where a strong "flick" outwards of the leading foot propels the dancer straight forwards through the air with little or no time to pause in arabesque on landing because the continuous repetition of this strong movement is intended to cover as much ground in as little time as possible.
8. To take only one example, their use of the arabesque as a gesture.
9. Swan Lake The classico-romantic ballet of Ivanov and Petipa Right: Odette's arabesque as Swan; below; Odile's arabesque as enchantress (Yvette Chauvir, Erik Bruhn; Merle Park, Rudolf Nureyev)
10. Notes that arabesque around the magnificent abundance of trees in the wind, shaking sea-grey, spring-green, ashen-blue.
11. For example, in the solo waltz the dancer marks the three beats of a waltz in roughly every other bar, usually with her feet, but in the third musical phrase she poses in arabesque and marks the beat by gradually lowering her hand three times.
12. Nor is it necessary always to keep the arms rounded except in arabesque .