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Перевод: ballade

[существительное]
баллада

Тезаурус:

1. Rachmaninov's Sonata would be better coupled with Grieg's, and the Prokofiev with more Prokofiev (the Ballade Op. 15 and the Solo Sonata Op. 133 ); this CD is akin to mixing Reger and Henze.
2. The initial agreement made was a licensing agreement whereby Rover (then known as BL) assembled the Honda Ballade from 1981 onwards with limited alterations and sold it as the Triumph Acclaim.
3. At the same time, on the other side of the range, Christophe Moulin, a 33-year-old guide from Briancon, set off for the first solo ascent (and incidentally the first repeat) of Jean-Marc Boivin's Ballade Au Clair du Lune: a hooks-and-copperheads A4 on the south face of the Fou.
4. The same fragility can be heard in the six songs that complete this issue, and she seems too light a voice for either the humouristic pomp of the Ballade des gros Dindons , or the lovely lyricism of Chanson pour Jeanne and L'le heureuse .
5. The Ballade for Piano Orchestra provides a further valuable insight into the essential "rightness" of her approach, with its naturalness of phrase and no sentimental cloyness.
6. The huge leap ( ) that marks the end of each verse in the Ballade , never sounds very confident.
7. Bolero; Piano Concerto in G: FAURE: Ballade; Piano works; DEBUSSY: Piano works
8. There is elaboration too in the Second Ballade, the volcanic interjections ablaze with added notes, and in the opening of the last and glorious Fourth Ballade there is a convulsive leap across the rhythm, one of Cortot's most curious and instantly recognizable mannerisms and a provocative view of one of the composer's supremely rich and tranquil gestures.
9. At Susanne Bartsch's Paris Love Ball (Ballade De L'Amour), at the Folies Bergres, Thierry Mugler and Jean Paul Gaultier took to the stage together and swapped jackets in tribute to one another.
10. Like Crimp himself, I feel that Chopin's A flat Ballade in C minor Nocturne at once make nonsense of that.
11. Farley brings a serious, concert-platform manner to the songs, she doesn't stick to soprano arias but includes some adaptations of choral numbers from Happy End and Berlin Requiem as well as Mrs Peachum's "Ballade von der Sexuellen Hrigkeit".
12. However the gem is surely the Third Ballade with the opening pages played as if improvised on the spot, the figuration commencing at 334 foaming and cascading with a freedom and liberality unknown to most players.