b ba bb bc bd be bf bg bh bi bk bl bm bn bo bp br bs bt bu bw bx by

Перевод: basso

[существительное]
бас

Тезаурус:

1. After the early evening entertainment there was usually a religious programme, with a break for people to say their prayers, and then an interlude in which a beautifully calligraphed page or two of The Green Book was shown while a voice-over, basso profondo through an echo-chamber, intoned the words.
2. The Minster had the gruffest basso but the others were undeterred and the whole tribe of them made a tremendous clangour.
3. It was two beats before I realised that this was meant to be a very funny joke and then I struggled to match his guffaws, adding my own rather reedy piping to his basso mirth.
4. Emphasis on the different communicative functions of speech and writing involves Stubbs, and others he cites such as Vachek and Basso, in seeing the complementarity of the two modes of language.
5. Con il basso continuo per sonar nell' organo (Book I, Venice, 1602), for the mainly solo voices never number more than four.
6. "An osmotic field," it replied, basso and treble in harmony.
7. Looking back on that visit, as I sometimes do, I find it difficult to reconcile the warm, charming and amusing hostess who spared the time to entertain us that day with the latter-day basso profundo screecher of the House of Commons and the earnest, ingratiating gusher of numerous television interviews (performances which make me dream wistfully of the old saw, "In the ideal society politics should be as unobtrusive as drains").
8. She called her a tart and a slut because she used to be married to a black man from South Carolina who sang basso at charity concerts all over Yorkshire and Lancashire and dropped dead at the Sun Hotel in Eccleshill in 1927.
9. But in 1607 his friend Agostino Agazzari published the first little treatise on continuo performance, Del suonare sopra il basso con tutti stromenti uso loro nel conserto, which does explain the use of figures.
10. In the spreaders forty feet above us the agile topmen, Basso and Rasman, executed hair-raising victory somersaults before shinning down the shrouds with the rough wires grasped between their toes.
11. But the accompanying instruments are constantly varied, and the groups which play introductory sinfonie to the intermedii or double the voices in the madrigals are impressive: Malvezzi's madrigal "Noi che cantando" in the first intermedio is sung by two choirs, the first doubled by lyre, harp, large lute, and "sotto Basso di Viola", the second by lyre, harp, chitarrone, and "Basso di Viola", while in the six-part sinfonia which follows these instruments are joined by 6 lutes (three large and three small), psaltery, "Basso di Viola" with three tenor viols, 4 trombones, cornetto, flauto traverso, cetera (cittern), mandola, and a "Sopranino di Viola" (which was played by Striggio).