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Перевод: choreographer

[существительное]
балетмейстер ; хореограф

Тезаурус:

1. There is a third type of choreographer who produces ballets which give audiences great pleasure through the sheer variety of their virtuoso designs.
2. That is, the choreographer must understand from which part of the body impetus is to be given so that the step achieves its full purpose at the proper moment - usually in some gesture and its musical emphasis.
3. The first meaning should be understood as the inspiration which has urged the choreographer to create.
4. "Specially Chosen Music" refers to particular pieces of music that have inspired a choreographer and whose score has been interpreted by the choreographer as it stands, the composer's scheme and continuity unchanged.
5. The choreographer's next task is to establish the relationship between two or more players and set the action going.
6. Would the ballerinas named above have reached the same eminence without the personal attention of a choreographer of genius?
7. The choreographer can make an overall rhythm fur a long phrase of music and within it shorter phrases.
8. Its urgent overall rhythm commands the choreographer to keep the dancers moving forever onwards with greater intensity to the climax, whilst the shorter phrase rhythms give the Chosen Maiden and smaller groups such ways of moving that they hold the audience's full attention until the fall of the curtain.
9. To do this successfully the choreographer must be able to select from the "aggregation of objects" only those which are appropriate to the ballet in hand.
10. Every choreographer must have a motive if he or she is to give proper thought, impetus and significance to the movements made by the dancers whether: they are telling a story; describing and/or expressing the thoughts behind a theme; or interpreting music either by expressing personal feelings about the melody and rhythm or by so framing the dance that it parallels the music and reveals its structure.
11. When a choreographer wishes to make a statement about dance that is inspired by a piece of music, he has to answer the question as to what style of dance is appropriate.
12. Dimension immediately suggests that the choreographer must take into account the space in which the dancers move.
13. The late Frank Howes showed an understanding of the problems racing a choreographer when he wrote: "Every dance has its own rhythm, just as every dancer has an inborn sense of measuring time because each movement must be felt to flow through the whole body as well as the space in which it moves.