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Перевод: compositor
[существительное] наборщик
Тезаурус:
- It was in this context that Emily Faithfull and Bessie Rayner Parkes first became interested in the idea of opening the compositor's trade to women.
- He must have then done some painting on Mr. Bellersis' work as there are two more references to his colouring and finishing the colouring for Mr. Bellersis Also, when in London he used to visit his former teacher John Landseer and also mentioned going with him to see plates, "and compositor printer at work".
- What was crucial about the women's offices was that part of the trade - straight typesetting - was being defined as particularly suitable for women; indeed it was being said they were actually better at it than the men, while the other tasks in the compositor's repertoire were variously described as heavy (thus by definition not skilled) or on the contrary as highly skilled (make-up and imposition) but requiring fewer persons to do them.
- Her first employment was likely to be as a reading girl, that is to sit on a stool and read out the copy to a compositor.
- The GLC liked to work with committees, and one was formed with the addition of Mike Power, a Daily Mail compositor, trade-union activist and chairperson of the Campaign for Press and Broadcasting Freedom.
- A woman would be quite prepared to accept a wage lower than a male compositor's, since it would probably still be a great improvement on what she could earn elsewhere.
- Other speakers expressed unease about disturbing the wage Structure, and James Wilkie, an Edinburgh compositor in the hall, warned that the city already had too many apprentices, too low wages and not enough work: with the exception of a month or two in the winter time, there were always printers looking for work.
- A compositor is employed as a compositor; a machine-minder (printer) likewise has to keep to his own job; the print union is a strong one - and very jealously guard the many gains won by them for their members.
- Evidently the employers were expecting some hostility, as the reminiscences of one elderly compositor suggest: back in the 70s
- What was atypical about Edinburgh was the large number of women recruited to the trade of compositor.
- One compositor, Jean Henderson whose daughter kindly provided me with information, went into the trade (in the 1890s, that is some time after the earliest entrants) straight from the Dean Orphanage, where she had received a good education (see Plate 1).
- This miraculous work was achieved on one hand press by a single compositor, J.H. Mason, who went on to become head of the London School of Printing.
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