d da db dc dd de df dg dh di dj dk dl dm dn do dp dr ds dt du dw dx dy dz

Перевод: diatonic

[прилагательное]
диатонический

Тезаурус:

1. Partly this is the result of the shapely overall curve of the A melody; partly, perhaps, it has to do with the way a certain simple ("innocent"?) pentatonic inflection (the melody of section A is based entirely on D E F A B, apart from a solitary G in bar 6 and the cadence in bar 15) rubs against the "romantic" harmonies, diatonic with rich chromatic alterations.
2. I've found with my own teaching that if a player wants to move away from a purely diatonic mode of improvising, their initial steps are dogged by their own reaction to the chromatic tones, by perceiving them as sounding "wrong" somehow.
3. Then there's another neck that comes across the other way and you can tune the strings any way you want; I basically tune to groups of diatonic notes with whatever melody I want to play.
4. Gesualdo, after publishing four books of not particularly individual madrigals in the Rore-Wert tradition (1594-;6), brought out two more in 1611 in which chromatic alteration simultaneously in several parts produces the most extraordinary effects of dislocation (often alternating with very commonplace diatonic passages).
5. This is a simple, virtually diatonic chord sequence in A major (with the exception of the G natural in the Dsus4 chord) and Verdine sticks very much to the A major scale (A Ionian mode) - A, B, C, D, E, F, G - with a couple of passing notes to fill out the phrases in bars 4, 12, 24, and 27.
6. The language is accessible mid-European, direct and diatonic, confident - perhaps most of all the buoyant theme and variations that form the last movement.
7. So, it's strongly recommended that you cultivate the use of chromatic notes which resolve to diatonic ones, both scalic and chordal.
8. There are five positional patterns that can be played laterally up and down the fretboard and which relate to any major scale (and its relative minor scale): you'll start on the lowest diatonic note in each key and move up the fretboard to the highest comfortable form (more on this later).
9. Generally speaking, notes which move from chromatic to diatonic, or from non-chordal to chordal, provide the strongest vehicle for creating the tension and release upon which effective jazz improvisation depends.
10. But his style was essentially diatonic, melodically and rhythmically inventive, exploiting all the sensuous charm of passages in thirds and tenths (for instance in "Scaldava il sol" (Book III, 1582) or in "Vezzosi augelli" in Book I of four-part madrigals, 1587), and the all-pervading pictorial touches are seldom exaggerated.
11. The first one is for producing diatonic sus4 type chords and the formula is "substitute 3 for 4", so to build these chords on every scale degree all you do is delete the thirds from each triad and add in its place the note that is a diatonic fourth (four letter names inclusive of the root note) above the root of the chord.
12. This is because E is your lowest diatonic note.