f fa fb fd fe ff fg fh fi fj fl fm fn fo fp fr fs ft fu fw fx fy

Перевод: flatness

[существительное]
плоскость ; ровность ; пологость ; безвкусица ; прямота ; скука ; вялость ; решительность ; категоричность ; настильность

Тезаурус:

1. Far off, upon the silver mere, would rise a puff of smoke from a punt, invisible from its flatness and its white paint.
2. Then, using spirit-level and pegs as a builder lays a concrete floor, level it to the flatness of a billiard table.
3. The decorative flatness and the higher colour of Japanese art also follow as products of the same climatic necessity.
4. From the Land Rover I could see the awful brown flatness.
5. This ascetic, strong-willed young man, dominating yet dull-toned in personality to the point of satanic flatness, captured as if in his own despite the imagination of the day.
6. The quiet flatness of her voice was mirrored by the fatalism he saw in her eyes.
7. So it was that on a golden autumn evening, towards mid-September of 1937, I came to write my -30- to a career of journalism cum radio, and sat watching the flatness of the prairies give way to rising foothills as the twin-engined CPR "Dominion" crawled westward up the slopes of the mountain.
8. precise definition, clear articulation, accurate perspective below, he wrote (and Goldberg typed), fluidity, flatness, cloudiness above.
9. The flatness is a shame, because this is a public service: you can glean from the programme an idea both of how irrational the law can be, and of how flimsy most people's understanding of it is.
10. UNTIL six or seven years ago, outsiders associated East Anglia with fens, flatness and the vanished Edwardian nannies of Frinton.
11. She seemed to have the form of an ironing-board, yet that flatness of rump and breast was apparent only, achieved by the unrevealing clothes in which she chose to conceal herself.
12. Distinct from flatness of top and from perspective of bottom, he wrote.
13. Here were audio spaces that, in certain instances, bled around comers out of sight of their sources; sculptural/architectural spaces around and through which the viewer must travel; virtual spaces of onscreen worlds; visual spaces of Greenbergian flatness, for example in Susan Hiller's well-known Belshazzar's Feast (1983-;4), where images of flame move towards the purity of pixels (though she also devotes attention to the generation of images and gestalts from the eye itself); geographical spaces, notably in the move of Judith Goddard's environmental sculpture, Electron (1987), from Dartmoor indoors.