i ia ib ic id ie if ig ih ii ik il im in io ip iq ir is it iu iv iw ix

Перевод: impersonate

[глагол]
исполнять роль; олицетворять; воплощать; выдавать себя

Тезаурус:

1. The other outstanding performance is by Nicky Henson, who is on first-rate form as the actor who finds himself having to impersonate Alfred in Alfred's presence.
2. YOU CAN hear Clive Anderson crisply phrasing the challenge impersonate a pop group in the style of The Ramones meets Half Man Half Biscuit, fronted by Marc Bolan crossed with Rik Mayall.
3. the highest ideal in The Balcony is for characters to attain that point of social definition at which others desire to impersonate them.
4. Since no one could imagine that in these circumstances or in any other circumstances anyone could successfully impersonate Ramsey, the ritual was a piece of legal nothing which allowed a Protestant agitator the chance of publicity which might help his own cause but must also help Ramsey.
5. Two methods tend to be used in this type of kidnapping: the woman may impersonate a nurse, giving the mother a bogus reason for taking her baby out of the room, or she may take the neonate from the nursery when nursing staff are not in the immediate area.
6. Until he had a style to forge, he felt listless, like some latter-day Adam, born with the power to impersonate but bereft of subjects.
7. The actors impersonate the totem animal, thus identifying and promoting a resonant connection with it.
8. He was probably an actor she had hired to impersonate one.
9. In this context what is the significance of the ironic statement prohibiting "blacking up" given its double connotation as a practice of camouflage used in night-time military manoeuvres, and as a means for white entertainers to impersonate blacks?
10. "So this Alfred Emblow steps forward," she went on, deepening her voice a tone to impersonate the strong-man, "and says: "Well done, young man.
11. They ask me to impersonate Michael fucking Caine, can you believe that?
12. (I had better say now that readers who identify the I of the Sonnets with Shakespeare's own personality not only encourage that futility of speculation about the identity of a real-life "Friend" and "Dark Lady" which has pestered discussions of these poems for so long, and is now in the last stages of senility; but in so doing they also destroy one of the essential principles of literary criticism in modern times, the independence of the I in lyric poetry, its existence as a persona or mask behind which the poet is free to impersonate any human situation without being identified with each or all of the mutations - often contradictory - taken on by his persona.)