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Перевод: melodrama

[существительное]
мелодрама ; театральность

Тезаурус:

1. The confidential world of the city clerk persists in Eliot's poorest play which looks again to Victorian melodrama.
2. When they launched themselves into production in 1922, Balcon and Saville with Woman to Woman , the story of a shell-shocked officer who comes out of amnesia to discover the truth about his sordid past, and Wilcox with two films of which the second, a florid melodrama called The Flames of Passion , was a hit, they used the same director, Graham Cutts, and judged it worthwhile incurring the expense of bringing over American stars, Betty Compson for Woman , Mae Marsh for Flames , in order to increase their films' marquee value at home and abroad.
3. Were they ever professional, boy, did they ever work hard, well, didn't they just talk and work as if that melodrama of near separation had never happened.
4. He returns again to the ways in which melodrama is rooted in Indian popular culture.
5. The fact that the film was hailed by critics as a triumphant piece of realism, even though the woman's choice between a passionate affair and married contentment is as melodramatic as that offered by any Gainsborough melodrama, reflects the kudos Lean had acquired as director of In Which We Serve , the critic's touchstone for quality.
6. Ealing Studios made films as untypical of itself as Dead of Night (1945), a collection of mostly unsettling tales of the fantastic and of hidden desires that erupt from below, Pink String and Sealing Wax (1945), in which the son of a strict father becomes the unwitting accomplice in a woman's murder of her husband, and even a costume melodrama, Saraband for Dead Lovers (1948, Saraband in US).
7. When, in the late 1920s, a critical backlash developed against films that made themselves vacuous in an attempt to match Hollywood styles, the only way people could think of doing it was to define British cinema as the opposite of Hollywood - abandoning melodrama and flamboyance for realism, restraint and understatement.
8. The ritual nature of Sweeney Agonistes emphasizes and encourages the notion of participation in a ritual process, through its use of those aspects of culture in which the people of the period participated most: jazz, music-hall songs, melodrama.
9. She excelled in playing ruthlessly calculating bitch-goddesses, clawing their way to wealth, security and power: eg as Mildred, the sluttish Cockney waitress who enslaves sensitive Leslie Howard in John Cromwell's adaptation of Somerset Maugham's Of Human Bondage (1934), the role in which she made her reputation; as Jezebel, flouting the decorous conventions of the antebellum South in William Wyler's 1938 melodrama of that name; and as the indefatigably scheming Regina, one of her most memorable creations, in Wyler's 1941 film version of Lillian Hellman's The Little Foxes.
10. The willingness of England to welcome foreigners into its communities, celebrated during wartime in the pleasantries of Tawny Pipit (1944), is thrown into question by the searing melodrama of Frieda (1947), where the "kindly, good-natured people" of Denfield become vicious xenophobes when the stranger amongst them is a blonde German girl.
11. Does being true to oneself, and not selling out to Hollywood, really mean abandoning melodrama for realism, showmanship for seriousness, spectacle for solemn emotion, tight scripts for improvised styles?
12. Melodrama, perched on the uneasy edge between tragedy and the horribly grotesque, points also to the music hall, where Eliot had found those last vestiges of English myth.
13. Her powerful and eloquent singing really does not need to be supplemented by low-register Sprechstimme; one can see the point, but Puccini is near enough to raw melodrama without such mannerism.