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Перевод: perdition

[существительное]
гибель ; проклятие; погибель ; вечные м`уки

Тезаурус:

1. To perdition with the Bamford Hunt and every one of its hounds.
2. We dare not shrug our shoulders and leave a great chasm into which cynical politicians might leap, and take us all to perdition with them."
3. There is an incremental road to disaster as well as faster roads to perdition; simplicity may become simple-mindedness.
4. For an instant he thought perhaps he was dead, consigned to perdition and gloom until the end of time, his only sensation that of falling back and back and back, head over heels forever.
5. At a time of "awful crisis, when constitutions of kingdoms are on the point of dissolution the stain of the blood of Africa is no longer upon us" thus removing "a mill-stone about our necks, ready to sink us to perdition".
6. His note on the beast of Chapter Seventeen of Revelation, the beast which doesn't exist and still has to appear and is destined for perdition, is "generalhuman" - the word he coined for Notes from Underground and incidentally never used again in his fiction.
7. If the tobacco road is considered the one-way street to perdition, then let me say that it is as incompatible as the marriage of athletic sports with smoking sponsorship.
8. Oddly enough, Ghanashyam (A Broken Branch) approaches opera in the nature of the story it tells: originating in village festivities, the tale unfolds a rake's progress towards perdition, in this case via drugs, but with an extra metaphysical twist when the spirit of the departed returns to inhabit his wife.
9. Many times he had wished Horatia to perdition, particularly since he had met Topaz, but he had never meant her real harm.
10. Thirteenth-century reformers expended much energy and ingenuity trying to ensure that parishes were properly served and that the souls of parishioners were not exposed to perdition by the negligence and greed of pluralist incumbents.
11. Geoffrey, that son of perdition that son of iniquity is how Roger of Howden sums up his character, while Gerald of Wales gives a more elaborate description of a prince overflowing with words, smooth as oil, possessed, by his syrupy and persuasive eloquence, of the power of dissolving the apparently indissoluble, able to corrupt two kingdoms with his tongue, of tireless endeavour and a hypocrite in everything.
12. Indeed, some of his most effective imagery in The Four Quartets was based on the underground, which he patronized for reasons of speed, economy, and no doubt of experiencing the frisson of imagining himself consigned to perdition.
13. Gloomy prognostications of Aethelbald's life being in danger of passing away like a shadow and his soul into eternal perdition - although conventionally expressed - imply an unhappy conclusion to his life as a real possibility.