q qa qf qk qn qq qr qs qt qu qw qz

Перевод: quatrain

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Тезаурус:

1. Thus we note that the recoil against the I in the second quatrain was merely a ploy, resulting in an even more bitter attack on the Thou .
2. All of this he offered in a variety of poetic forms, from the traditional quatrain to the more controversial prose-poem "Friends".
3. Like the quatrain poems it is funny at the same time as serious.
4. Though doubtless partly motivated by a desire to draw the reader away from his own personal life, Eliot was serious in pointing out that, "Anyone who is acquainted with these works of Weston and Frazer will immediately recognize in the poem certain references to vegetation ceremonies", which, as in the quatrain poems, were associated with religion and human sexuality.
5. The quatrain poems identify in man lowest common denominators operating below the level of any "savage philosopher's" thought.
6. The quatrain poems bind up such sympathies with a way of thinking which owed much to anthropology and Eliot's growing wish to include in his work the worlds of both the savage and the city.
7. That is, if one were to attempt to visualize the three personae involved in terms of a novel or play one would need pages to describe the kinds of interchange that Shakespeare renders in a quatrain: "Trice threefold", too, are the number of lines taken up by editors trying to pin down the multiple shifts of identity which take place in these four lines.
8. Eliot's interest in human animals, seen in the quatrain poems, intensifies in The Waste Land .
9. The language used to describe this is reminiscent of Harrison, as well as clearly relating to the technique of Charlie Mears, Tiresias, and the dromenon- like patterning with which Eliot had been experimenting in the quatrain poems.
10. This judgement applies to the I- dominant poems (88, 89) as to the Thou- dominant ones, such as 35, where after the first quatrain excusing the Friend's faults ("No more be griev'd at that which thou hast done") the second suddenly recoils on itself: This is indeed to bring a plea "'gainst myself", to become an accomplice or "accessory", plunging oneself in "civil war".
11. We recognize in the quatrain poems what Eliot occasionally found in Davidson: that though his "dwelling-place" alters, the human "tenant is the same through all ages", but Eliot's linking factors, though they may be comic and self-mocking, are scarcely reassuring.
12. The quatrain poems give the lie to that.
13. Throughout these quatrain poems sex and religion mix, so that always "The nightingales are singing near / The Convent of the Sacred Heart., Whether there is anything beyond the sexual is uncertain.