s sa sb sc sd se sf sg sh si sj sk sl sm sn so sp sq sr ss st su sv sw sy

Перевод: septet

[существительное]
септет

Тезаурус:

1. But this is a delicious disc, containing not only a winning performance of Beethoven's early Septet but the first recording of a trifle called Hymn to the Veneration of the Great Joachim.
2. The band began as an octet, but spent most of the set in various sub-divisions, from quartet through to septet.
3. Beethoven Septet
4. Like the Ashkenazy/Perlman/Harrell trio in their (now regrettably deleted) excellent EMI set (3/87), the Czech Trio fit Beethoven's complete works for piano trio to four discs by excluding the trio arrangements of the Op. 20 Septet and Second Symphony rescued by the Beaux Arts Trio in their five-disc Philips set.
5. It consists of a short phrase in the slow introduction to the opening movement, which in the Septet is given out in the major before being echoed in the minor, but which appears both times in the minor in the transcription.
6. In my notes for the Raphael Trio's Unicorn-Kanchana recording of the Beethoven Septet in the composer's own transcription for piano trio, I drew attention to a small discrepancy between the trio version and the original.
7. Piano Quartet; BRAHMS: Hymn to the Veneration of the Great Joachim; BEETHOVEN: Septet
8. As a sharp contrast, the Beethoven Septet is pure entertainment, music that makes no attempt to grapple with more complex emotional issues.
9. With respect to Beethoven, Neumann points out that the two metronomized instances of a Tempo di Menuetto by Beethoven are crotchet = 116 (Septet) and 126 (Symphony no. 8), calling these tempos "an ideal realization of the "Allegretto" idea' He forgets that Beethoven's Allegretto finale to the Pastoral Symphony (3/4, arguably a one-in-a-bar minuet) is marked dotted minim = 60 (crotchet = 180) and that the Menuetto allegretto of his String Quartet, Op.18 no.4, is marked dotted minim = 84 (crotchet = 252)!
10. I have little doubt that the alteration was the composer's own - particularly since the trill added to the piano part in the answering phrase (it has no parallel in the violin part of the Septet) serves to give variety to the "echo", as a substitute for the change from major to minor.