o oa ob oc od oe of og oh oi ok ol om on oo op or os ot ou ov ow ox oy oz

Перевод: onlooker

[существительное]
свидетель ; наблюдатель ; зритель

Тезаурус:

1. And, although Bratfisch in MacMillan's Mayerling is a dancing role, he, too, is an onlooker who only shows his real self during his final entrance and last gesture as he throws his flower into Mary Vetsera's grave.
2. No better example of such objectivity was Ashton's own playing of the Onlooker in Nocturne .
3. No one could fail to understand the Onlooker's reaction to the tale just unfolded.
4. The hoarding across the street was still inviting any chilled onlooker to enjoy the vitamin-packed goodness of a sunshine breakfast.
5. That's rather like having a King Lear spiritually emoting with an insight which may transcend any previous realisation, whilst unfortunately playing havoc with the syntax, changing and/or forgetting words, and mumbling so that certain words inaudible to the unaware onlooker can be understood only by the expert who knows the text!
6. He can create overall rhythms and within them short phrase rhythms, but the basis of them all is that they exist in groups and by being efficient in action and appropriate to the context give pleasure to both the performer and the onlooker."
7. For the onlooker, one of the game's fascinations, even perhaps a cruel fascination, lies in the complex interrogation of character which cricket so relentlessly and uniquely pursues.
8. And to the onlooker it all seems so grand;
9. Not if I dare say so, if it is an opinion expressed by an onlooker who has not experienced either hearing loss or the unhelpful reactions of the unenlightened.
10. The year that Christ was born, for example, was duly marked to help the onlooker bridge time long past.
11. The happy faces of many, the vacant stare of astonishment of others, and the alarm depicted on the countenance of some, gave variety to the picture", was the scene set by an onlooker.
12. In regards to its nature, we shall be principally occupied, not with what Mind is felt to be by its possessor, but rather with its operations as apparent to an onlooker.
13. In the last, MacMillan's choreography makes Bratfisch, the prince's coachman, appear as the only sympathetic yet helpless onlooker at the sordid proceedings.